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FOAM, Invisible City, Oculus

The Look Of Love

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About six weeks ago both my aged parents died. They had a dual funeral. Their coffins were lowered side by side, simultaneously into their grave. After hearing of this, more than one person has asked me if they were in an accident. There had been no accident. They died independently of each other, in separate facilities about 30 hours apart. Mom died two days short of her 87th birthday. Dad followed suit. He was 94. Because he had been in hospice for three weeks, his death was imminent and expected. And in fact, I got a call that he was dying four hours before I got the call telling me my mother had become unresponsive. Read more… (This entry was originally posted in full on the FOAM Museum blog, where I am a contributor. A new link redirects as the FOAM link expired)

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About kenschles

Ken Schles is the author of Invisible City (1988; reprint 2015 and 2016), The Geometry of Innocence (2001), A New History of Photography: The World Outside and the Pictures In Our Heads (2007), Oculus (2011) and Night Walk (2015 and 2016). His work has been nominated for the Deutsche Börse Prize, exhibited by The Museum of Modern Art, noted by the New York Times Book Review, cited in histories of the medium (Parr/Badger, Auer & Auer, 10x10 American Photobooks) and issued by some of the foremost publishers of our time (Steidl, Hatje Cantz, Twelvetrees Press). They're considered “intellectual milestones in photography” (Süddeutsche Zeitung), “hellishly brilliant” (The New Yorker). Ken Schles’ work is included in private and public collections such as The Museum of Modern Art, The Rijksmuseum, The Metropolitan Museum of Art, Museo d"Arte Contemporanea (MACRO) Testaccio Museum, and more than 100 other museum and library collections world-wide. 
 Ken Schles is a NYFA Fellow. http://www.kenschles.com

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